Each year, when the Christmas Lottery announcement is launched by surprise, we all have a very open hand to fan the cataract of good wishes, tearful stories, stone cardboard characters (yes, because inside they do not seem to have blood, if Not the threads that move them), depressing scenarios, gray tones and that final twist that, no matter how long we wait, always causes that salty liquid to appear between our eyes and the nose. The critics tear it apart, the audience surrenders to its feet. Who has not shared a viewing with their office mates around a computer? Who has not had to hear that “I liked the guy that was in a bar”? Who has not thought “pussy, this could happen to me and thus fix my life”?
Well once seen La La Land (The city of stars) this is how it is left to one’s body. With the feeling of having seen the announcement of the Lottery, for its good intentions, and above, apart from sharing it, we liked it very much. What is going countercurrent, total. Because the film could carry all kinds of sticks, all sorts of reproaches – then we will give some – but, what the hell, is much better than we are accustomed to see in the genre. Because, by parts, this is a musical, which is already a lot to say. And this is a genre that lends itself to controversy. When it does not directly generate allergies and rashes. Two hours of people singing and dancing? It starts to hum a melody, well, because it comes out to know where. Because it puts the script.
And, moreover, we are facing the clear definition of hype. That is, a movie that everyone talks about, to which everyone surrenders, but it is not clear if it is a mirage – like the lady who has touched the fat, the headlamp, but Is that no – or if there really is stuffing inside that precious packaging. It all began at the last Venice Film Festival, when the film uncovered the jar of the adjectives of critics from around the world gathered there. Watch La La Land Online And his female protagonist took the Volpi Cup for his work. Festivals are a place where movies are destroyed, a director’s international career can be truncated, myths born and hypes created. There, miles away from their homes, there is something like a free bar to speak with a license to criticize. So there was a certain caution before the adjective cataracts that pondered the new films, after the success of Whiplash, of Damien Chazelle. (more…)